Peter Jellitsch

2024
Vöslauer Sonderedition
Peter Jellitsch Vöslauer

Video

2021
Peter Jellitsch Art Car 2021
Art Car Detail / Photo: © Leo Hilzensauer, 2021

(photos: © Leonhard Hilzensauer / except photo no.1/7: © Lukas Gansterer )

Date

2021

Partners

In cooperation with Jaguar Landrover Austria GmbH & Aichlseder Car GmbH

2021
Talk to Me (Modular)
Talk To Me (Modular), 2021 Arcylic, chalk pastel and oil on canvas, each: 160 x 160 cm
2021
Simulate Flora (drafts)
Left: Simulate Flora 3, 2021, Pencil, acrylic, crayon on paper, 41 x 34,5 cm, Right: Simulate Flora 1, 2021, Pencil, acrylic, crayon on paper, 41 x 34,5 cm
2020
Simulate Flora
Left: Simulate Flora 1, 2020, Acrylic, pastel chalk, oil on canvas, 203 x 158 cm / Left: Simulate Flora 2, 2020, Acrylic, pastel chalk, oil on canvas, 203 x 158 cm
2020
Big Palms
Big Palms Black (12 Parts), 2020, Pencil, acrylic, crayon on paper, 225 x 420 cm

All photos: © Leonhard Hilzensauer

2020
Wall Drawings (drafts)
Wall Drawing (Red), 2020, Pencil, acrylic and crayon on paper, 50 x 66 cm

All photos: © Leonhard Hilzensauer

2019
Color Arrangements
Color Arrangement 4 & Color Arrangement 14, each 180 x 160 cm, Acrylic on canvas, each unique

All photos: © Leonhard Hilzensauer

2018
Talk To Me
Talk To Me 4, 2018, Acrylic on canvas, 150 x 120 cm

All photos: © Leonhard Hilzensauer

2017
Automatic Writing
Automatic Writing, 2017, Pencil, acrylic, crayon on paper, 32 x 48 cm
2013
Long Island City
Installation view

The data for Long Island City was provided by the SP Weather Station, Natalie Campbell and Heidi Neilson.

www.spweatherstation.net

2012
Bleecker Street Documents
Installation view
2011
STB Series
STB/S14/12, 2012, Fineliner, pencil on paper, 59,4 x 42 cm
Data Drawings
Data Drawing 35, 2015, Pencil, acrylic, crayon, lacquer on paper, 49 x 60 cm

Peter Jellitsch’s Data Drawings are based on what has become an indispensable component of our modern-day (work) life: the Internet and the constant availability of a wireless connection to it. The artist repetitively translates measurable data from Wi-Fi connections in the form of ping, download, and upload speeds into formally complex drawings reminiscent of landscape topographies in pencil and acrylic. He lends form to the invisible digital processes around us and declares them the starting point and necessary basis of his work as an artist. Each Data Drawing is a snapshot and a survey of a specific place at a certain point in time. The numerical values precisely measured with an iPhone app have the appearance of an abstract artistic gesture on the paper with the unmistakable variance of human imprecision. The physical act of drawing is combined with the ubiquitous flows of information that we use and create at the same time: a potentially infinite and never complete creation of value from nothing.

Excerpt from „Without You I’m Nothing“, a text by Marlies Wirth.

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